Please refer to CBSE Class 12 English HOTs The Lost Spring. Download HOTS questions and answers for Class 12 English. Read CBSE Class 12 English HOTs for Flamingo Chapter 2 Lost Spring below and download in pdf. High Order Thinking Skills questions come in exams for English in Class 12 and if prepared properly can help you to score more marks. You can refer to more chapter wise Class 12 English HOTS Questions with solutions and also get latest topic wise important study material as per NCERT book for Class 12 English and all other subjects for free on Studiestoday designed as per latest CBSE, NCERT and KVS syllabus and pattern for Class 12
Flamingo Chapter 2 Lost Spring Class 12 English HOTS
Class 12 English students should refer to the following high order thinking skills questions with answers for Flamingo Chapter 2 Lost Spring in Class 12. These HOTS questions with answers for Class 12 English will come in exams and help you to score good marks
HOTS Questions Flamingo Chapter 2 Lost Spring Class 12 English with Answers
Passages for Comprehension:
Passage 1
“Why do you do this?” I ask Saheb whom I encounter every morning scrounging for gold in the garbage dumps of my neighbourhood. Saheb left his home long ago. Set amidst the green fields of Dhaka, his home is not even a distant memory. There were many storms that swept away their fields and homes, his mother tells him. That’s why they left, looking for gold in the big city where he now lives. “I have nothing else to do,” he mutters, looking away. “Go to school,” I say glibly, realizing immediately how hollow the advice must sound.
Question. Name the lesson of above passage.
(a) Deep Water
(b) Lost Spring
(c) The Last Lesson
(d) Indigo
Answer. B
Question. Who is the writer of the lesson?
(a) Janees Jung
(b) Anees Jung
(c) Dnees Jung
(d) Panees Jung
Answer. B
Question. Who was Saheb?
(a) a shopkeeper
(b) a student
(c) a soldier
(d) a rag picker
Answer. D
Question. From where did Saheb come ?
(a) Dhaka
(b) Delhi
(c) Dwarka
(d) Dhamaka
Answer. A
Question. Why did Saheb and his family come to India leaving Bangladesh ?
(a) they liked India
(b) they were expelled from there
(c) because of communal violence there
(d) because storms destroyed their homes and fields
Answer. D
Question. What did Saheb look for in the garbage ?
(a) gold
(b) copper
(c) silver
(d) platinum
Answer. A
Question. What advice was given to Saheb by the writer?
(a) go to tea stall
(b) go to his home
(c) go to some other street
(d) go to school
Answer. D
Question. What does ‘scrounging ‘ mean?
(a) looking for
(b) searching for
(c) rubbish
(d) both a & b
Answer. D
Question. Which word in the passage means-' not sincere/ ineffective'?
(a) encounter
(b) hollow
(c) distant
(d) mutters
Answer. B
Passage 2
After months of knowing him, I ask him his name. “Saheb-e-Alam,” he announces. He does not know what it means. If he knew its meaning — lord of the universe — he would have a hard time believing it. Unaware of what his name represents, he roams the streets with his friends, an army of barefoot boys who appear like the morning birds and disappear at noon. Over the months, I have come to recognise each of them.
Question. What is Saheb’s full name?
(a) Saheb-e-Alam
(b) Alam-e-Saheb
(c) Laheb-e-Salam
(d) Maheb-e-Lalam
Answer. A
Question. What is the meaning of Saheb-e–Alam?
(a) great rag pickers
(b) chief of pick-pockets
(c) lord of universe
(d) lord of pirates
Answer. C
Question. Saheb’s full name is-------.
(a) humorous
(b) ironical
(c) satirical
(d) ridiculous
Answer. B
Question. Saheb’s full name means “lord of the universe” but he leads a life of ______.
(a) wealth and power
(b) opulence
(c) prosperity
(d) poverty and misery
Answer. D
Question. Who appeard like ‘ morning birds ‘ ?
(a) writer and her friends
(b) Saheb’s parents
(c) Saheb and his friends
(d) group of ladies
Answer. C
Question. Who are called “ army of barefoot boys “ ?
(a) Saheb and his friends
(b) writer and her friends
(c) Saheb’s parents
(d) group of ladies
Answer. A
Passage 3
I remember a story a man from Udipi once told me. As a young boy he would go to school past an old temple, where his father was a priest. He would stop briefly at the temple and pray for a pair of shoes. Thirty years later I visited his town and the temple, which was now drowned in an air of desolation. In the backyard, where lived the new priest, there were red and white plastic chairs. A young boy dressed in a grey uniform, wearing socks and shoes, arrived panting and threw his school bag on a folding bed. Looking at the boy, I remembered the prayer another boy had made to the goddess when he had finally got a pair of shoes, “Let me never lose them.” The goddess had granted his prayer. Young boys like the son of the priest now wore shoes. But many others like the rag pickers in my neighbourhood remain shoeless.
Question. The writer remembered a story of man from _______ .
(a) Seemapuri
(b) Udipi
(c) Delhi
(d) Dhaka
Answer. B
Question. What was young boy’s father?
(a) teacher
(b) priest
(c) farmer
(d) soldier
Answer. B
Question. What did the boy pray for?
(a) a pair of shirts
(b) money
(c) books
(d) a pair of shoes
Answer. D
Question. Who does ‘ I ‘ refer to in the first line ?
(a) Anees Jung
(b) Saheb’s father
(c) Saheb
(d) Saheb’s friend
Answer. A
Question. Find the word from the passage which means 'ruin, loneliness, destroyed'.
(a) panting
(b) desolation
(c) granted
(d) neighbourhood
Answer. B
The Lost Spring
Lost Spring: Stories of Stolen Childhood
Part: 2
“I want to drive a car”
By: Anees Jung
Passage 1
As custom demands, daughters-in-law must veil their faces before male elders. In this case the elder is an impoverished bangle maker. Despite long years of hard labour, first as a tailor, then a bangle maker, he has failed to renovate a house, send his two sons to school. All he has managed to do is teach them what he knows — the art of making bangles.
Question. What does the custom demand?
(a) the girl should bow to their elders
(b) that girls should live at the house of their inlaws
(c) that daughters-in-law must veil their faces before male elders
(d) the daughters-in-law must get dowry from their parents
Answer. C
Question. Who is the daughter-in-law mentioned in the above passage?
(a) Mukesh’s wife
(b) Mukesh’s sister
(c) Mukesh’s mother
(d) Mukesh’s sister-in-law
Answer. D
Question. Who is the male elder referred to in the passage?
(a) a bangle seller
(b) a bangle maker
(c) a rag-picker
(d) a tea stall owner
Answer. B
Question. What has the elder failed to do?
(a) to renovate his house
(b) to send his sons to school
(c) to end his poverty
(d) all of the above
Answer. D
Question. What art has the elder taught his two sons?
(a) the art of making bangles
(b) the art of renovating a house
(c) the art of sewing clothes
(d) the art of teaching children
Answer. A
Question. Find the word in the passage which means ‘poor’.
(a) custom
(b) renovate
(c) veil
(d) impoverished
Answer. D
Passage 2
Savita, a young girl in a drab pink dress, sits alongside an elderly woman, soldering pieces of glass. As her hands move mechanically like the tongs of a machine, I wonder if she knows the sanctity of the bangles she helps make. It symbolises an Indian woman’s suhaag, auspiciousness in marriage. It will dawn on her suddenly one day when her head is draped with a red veil, her hands dyed red with henna, and red bangles rolled onto her wrists. She will then become a bride. Like the old woman beside her who became one many years ago. She still has bangles on her wrist, but no light in her eyes. “Ek waqt ser bhar khana bhi nahin khaya,” she says, in a voice drained of joy. She has not enjoyed even one full meal in her entire lifetime —that’s what she has reaped! Her husband, an old man with a flowing beard, says, “I know nothing except bangles. All I have done is make a house for the family to live in.”
Question. Who is Savita?
(a) a married woman
(b) an elderly woman
(c) a young girl
(d) a lovely bride
Answer. C
Question. What is Savita wearing?
(a) a pink dress
(b) a yellow dress
(c) a white dress
(d) a black dress
Answer. A
Question. What sanctity attached to bangles?
(a) they are made of pure glass
(b) they symbolize an Indian woman’s suhaag
(c) they are worn by all girls and all women
(d) they are worn on all auspicious occasions
Answer. B
Question. What job is Savita doing?
(a) she is soldering pieces of glass
(b) she is draping a bride with a red veil
(c) she is dying the hands of a girl red
(d) she is rolling bangles on to the wrist of an old woman
Answer. A
Question. What do the bangles symbolize in Indian culture?
(a) ‘suhaag’
(b) chastity
(c) corruption
(d) farming
Answer. A
Question. Find the word in the passage which means ‘dull’.
(a) light
(b) drab
(c) sanctity
(d) draped
Answer. B
Question. Find the word in the passage which means ‘coloured’.
(a) dyed
(b) drab
(c) drained
(d) reaped
Answer. A
Question. Find the word in the passage which means 'holiness'.
(a) tongs
(b) veil
(c) sanctity
(d) dyed
Answer. C
Passage 3
Listening to them ,I see two distinct worlds — one of the family, caught in a web of poverty, burdened by the stigma of caste in which they are born; the other a vicious circle of the sahukars, the middlemen, the policemen, the keepers of law, the bureaucrats and the politicians. Together they have imposed the baggage on the child that he cannot put down. Before he is aware, he accepts it as naturally as his father. To do anything else would mean to dare. And daring is not part of his growing up. When I sense a flash of it in Mukesh I am cheered. “I want to be a motor-mechanic,’ he repeats. He will go to a garage and learn.
Question. What forces conspire to keep the workers in bangle industry of Firozabad?
(a) Sahukars, middlemen
(b) policemen
(c) bureaucrats and politician
(d) all of the above
Answer. D
Question. Find the word in the passage which means ‘blemish/disgrace’.
(a) vicious
(b) baggage
(c) distinct
(d) stigma
Answer. D
Question. Find the word in the passage which means ‘evil’.
(a) vicious
(b) imposed
(c) cheered
(d) caste
Answer. A
Question. What does Mukesh want to become?
(a) a doctor
(c) a motor mechanic
(b) a teacher
(d) a writer
Answer. C
Question. Find the word in the passage which means ‘burden’.
(a) vicious
(c) baggage
(b) law
(d) distinct
Answer. C
Short Questions
1. Where does the author meet Saheb every morning?
2. What reason did Saheb give for not going to school?
3. Bring out the contrast drawn between his life in reality and the meaning of his name?
4. What reason does a person give for walking barefoot? What is the author’s personal opinion regarding this reasoning?
5. Bring out the difference in the standard of living of the priests of the past and the present?
6. How does rag picking differ for an adult and for a child?
7. Why does the hole in the shoe not bother Saheb?
8. Was Saheb happy with the newfound job? If not, why?
9. Bring out the horrible condition within the glass blowing industry?
10. Describe the living condition in Firozabad?
11. Why does Mukesh`s grandmother feel it a futile exercise for Mukesh to fight taking up the job in glass blowing industry?
12. Why are they reluctant to form into cooperatives?
13. What all things comprise the vicious circle from where there is no escape?
14. Why is daring a difficult task? What cheers the narrator while talking to Mukesh?
15. Why is Mukesh content to dream only of cars and not of planes?
16. Why are promises to the poor rarely kept?
Essays
1. Do you think the child labour law should be enforced? If the child labour law is enforced approximately how many rag pickers and how many bangle makers would be freed from Seemapuri and Firozabad? Envisage the life Saheb and Mukesh would enjoy if they were freed? How would it be different from the present condition?
2. Bring out from the lesson the pathetic condition of children working in inhuman conditions?
3. Saheb has lost all the joy and freedom by working in the tea stall where he is no longer his own master. Do you think his decision was wise or could he have made a better choice? Or was it still better to leave him at rag picking where he was his own master?
4. Draw the similarities between the life of the rag pickers and the bangle makers as portrayed in Lost Spring.
CBSE Class 12 English HOTs The Last Lesson |
CBSE Class 12 English HOTs The Lost Spring |
CBSE Class 12 English HOTs Deep Water |
CBSE Class 12 English HOTs The Rattrap |
CBSE Class 12 English HOTs Indigo |
CBSE Class 12 English HOTs Poets And Pancakes |
CBSE Class 12 English HOTs The Interview |
CBSE Class 12 English HOTs Going Places |
CBSE Class 12 English HOTs My Mother at Sixty Six |
CBSE Class 12 English HOTs An elementary School Classroom in a Slum |
CBSE Class 12 English HOTs Keeping Quiet |
CBSE Class 12 English HOTs A Thing Of Beauty |
CBSE Class 12 English HOTs A Road Side Stand |
CBSE Class 12 English HOTs Aunt Jennifer’s Tigers |
CBSE Class 12 English HOTs Advanced Writing Skills |
CBSE Class 12 English HOTs Literature |
CBSE Class 12 English HOTs The Third Level |
CBSE Class 12 English HOTs The Tiger King |
CBSE Class 12 English HOTs Journey to the End of the Earth |
CBSE Class 12 English HOTs The Enemy |
CBSE Class 12 English HOTs Should Wizard Hit Mommy |
CBSE Class 12 English HOTs Should Wizard hit Mommy |
CBSE Class 12 English HOTs On The Face Of It |
CBSE Class 12 English HOTs Evans Tries an O Level |
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CBSE Class 12 English HOTs We Too Are Human Beings |
HOTS for Flamingo Chapter 2 Lost Spring English Class 12
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You can download the CBSE HOTS for Class 12 English Flamingo Chapter 2 Lost Spring for latest session from StudiesToday.com
Yes, the HOTS issued by CBSE for Class 12 English Flamingo Chapter 2 Lost Spring have been made available here for latest academic session
HOTS stands for "Higher Order Thinking Skills" in Flamingo Chapter 2 Lost Spring Class 12 English. It refers to questions that require critical thinking, analysis, and application of knowledge
Regular revision of HOTS given on studiestoday for Class 12 subject English Flamingo Chapter 2 Lost Spring can help you to score better marks in exams
Yes, HOTS questions are important for Flamingo Chapter 2 Lost Spring Class 12 English exams as it helps to assess your ability to think critically, apply concepts, and display understanding of the subject.